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Although the album was certified platinum, it became Blige's lowest-selling to date. The following singles, ', ' featuring, ' featuring on the international re-release, and ' fared worse.
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Despite the album debuting at number one on the Billboard 200 and becoming Blige's fourth consecutive UK top ten album, Love & Life 's lead-off single, the Diddy-produced ', which featured Method Man, barely cracked the top ten on the Hot R&B/Hip-Hop Songs, while altogether missing the top twenty on the Hot 100 (although peaking inside the UK top twenty). Due to the history between them on What's the 411? And My Life, which is generally regarded as their best work, and Blige having just come off of a successful fifth album, expectations were high for the reunion effort. On August 26, 2003, Blige's sixth album was released on (which had absorbed MCA Records.) Blige heavily collaborated with her one-time producer Sean Combs for this set. This album was released in a limited edition double pack 12' vinyl for DJ-friendly play in nightclubs. In addition, Blige co-wrote four songs and was featured on two with fellow singer on his (1996) including the US top 20 hit, ', which also featured a then up-and-coming female rapper. Shortly after, Blige was featured on 's breakthrough single, ' from his debut (1996) and with on ' from his debut, which was also released that year. Blige gained her first two Grammy nominations, and won the for her collaboration with Method Man.
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The platinum-selling single rose to number two on the Billboard Hot 100 and number one on the Hot R&B/Hip-Hop Songs in early 1996. Later in the year, she recorded the -penned and produced ', for the soundtrack to the motion picture. Blige involved herself in several outside projects, recording a cover of 's ' for the soundtrack to the series, and 'Everyday It Rains' (co-written by R&B singer ) for the soundtrack to the hip hop, The Show. remains a model R&B diva who paved the way for myriad successors, including Beyoncé and Ariana Grande.The following year, Rolling Stone placed it at number 279 on their, and in 2006, the record was included in 's 100 greatest albums of all time list. Even as she’s gone Hollywood (earning an Academy Award nomination for 2017’s Mudbound), Mary J. Mary (1999) saw her move toward a more classic sound, though 2001’s smash “Family Affair” swung back toward hip-hop that fertile tension has remained in her music since. Blige’s life was never separate from her art, and fans have followed her through addiction, marriage, divorce, and therapy, connecting with songs like “Not Gon’ Cry” and “No More Drama” out of deep identification: Here was an artist who sang women’s realities as they were almost never presented in popular music-and who always came out stronger. She and Sean Combs crafted her 1992 debut, What’s the 411?, which spawned the ubiquitous and beloved jam “Real Love” and helped set the template for R&B’s marriage to hip-hop. Her voice is elastic, scrappy, and versatile, with more than a hint of world-weary grit, and when a chance recording of Anita Baker’s “Caught Up in the Rapture” came before Uptown Records execs in 1988, the label immediately snapped her up as its youngest (and first female) signee.
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Born Mary Jane Blige in the Bronx in 1971, Blige was raised mainly in Yonkers, NY, where she grew up listening to the greats: Aretha, Chaka, and Gladys Knight. Dubbed the Queen of Hip-Hop Soul in the ’90s, Blige came off as tough and streetwise (unlike many of her contemporaries), and she could go toe to toe with rappers, including JAY Z, Method Man, and more recently Kendrick Lamar. Blige is that rare singer who can channel your pain-and then drag you onto the dance floor to sweat it away.